• New York Times Praises Cuckson and McMillen’s New Urlicht CD

    High praise from the newspaper of record:

    The violinist Miranda Cuckson and the pianist Blair McMillen, who are individually brilliant and adventurous artists, bring out the best in each other in their frequent collaborations, including their latest recording of contemporary works. Their incisive, animated playing cuts through the density and complexity of Carter’s Duo for Violin and Piano to reveal the music’s wit and fancifulness. Jason Eckardt wrote his glistening, jittery and playfully frenetic “Strömkarl” last year as a companion piece for this recording. Ms. Cuckson is outstanding in Sessions’s magisterial, technically challenging Sonata for Solo Violin (1953).  — Anthony Tommasini


    Elliott Carter: Duo for violin and piano (1973) [21:56]
    Roger Sessions: Sonata for solo violin (1953)
    1. Tempo moderato, con ampiezza, e liberamente [10:53]
    2. Molto vivo [6:57]
    3. Adagio e dolcemente [10:22]
    4. Alla Marcia vivace[4:53]

    Jason Eckardt: Strömkarl [12:51]

    Miranda Cuckson, violin
    Blair McMillen, piano

    Produced by Gene Gaudette
    Engineered and edited by Ryan Streber, Oktaven Audio

    CD Edition: Urlicht AudioVisual UAV-5989
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    Available in Europe and Asia in May 2013

  • Audiophile Audition Praises Cuckson and Burns

     

    Miranda Cuckson and Chris Burns garner a five-star review for their recording of Luigi Nono’s La lontananza from the Internet’s number one audiophile review site:

    Just before she plays, Cuckson enters from the back of the stage, then pauses at each of six (out of nine) music stands to play from 7-12 minutes, and then moves along to the next, soundlessly, on bare feet. How does one reproduce such shifting dynamics on a CD? Simple. Issue the work on a five-channel surround-sound Blu-ray disc as well. With impressive and extreme dynamic range, the Blu-ray has little trouble presenting the full pallet of tones from the various channels.


    Luigi Nono: La lontananza nostalgica utopica futura (1988-89)
    Miranda Cuckson, violin / Christopher Burns, electronics

    Produced by Christopher Burns and Richard Warp
    Recording engineer: Richard Warp
    Recorded at A Bloody Good Record Inc, Long Island City NY
    Mixing engineer (stereo CD): Richard Warp
    Mixing engineers (DTS 5.1 surround mix): Paul Special and Richard Warp
    Assistant mixing engineer (DTS 5.1 surround mix): Dillon Pajunas
    DTS 5.1 surround mix produced at Sonic Arts Center, CCNY, NYC
    Produced for New Spectrum Recordings, NYC
    Executive producer: Glenn Cornett

    Urlicht AudioVisual UAD-5992

    CD plus Blu-Ray Audio for home theater systems — available at Amazon.com.
    CD plus DTS-CD for home theater systems — available here.
    Lossless FLAC download — available here.
    MP3 download — available here.

  • Cuckson, McMillen Get “Expressionistic”

    Ultra-eclectic new music blog Burning Ambulance raves about the newest CD from Miranda Cuckson and Blair McMillen:

    Carter Sessions Eckardt, the new disc of American music for violin and piano or solo violin by Miranda Cuckson (with pianist Blair McMillen) should go a long way towards providing a corrective to [the] misunderstanding [of what “American Expressionism”  is]. … The highly charged phrases and structure of [Elliott Carter’s Duo] are clearly characterized by Ms. Cuckson and Mr. McMillen in a performance of power and charm. … I’ve heard some other pieces by Jason Eckardt, and I think he’s a composer worth keeping an eye on. … The real revelation of this disc (the high level of playing is not a revelation, because I’ve heard Cuckson and McMillen before, and they are always this good) is Roger Sessions‘ magisterial Sonata for Solo Violin, composed in 1953. … Cuckson’s performance is direct, authoritative, and probing. In her extremely well-written and informative notes, she tells us that it was this piece, along with the Carter Duo, that set her on her artistic path. We can all be grateful that she is following the path with such grace and artistry.

    Read the full review here.


    Elliott Carter: Duo for violin and piano (1973) [21:56]
    Roger Sessions: Sonata for solo violin (1953)
    1. Tempo moderato, con ampiezza, e liberamente [10:53]
    2. Molto vivo [6:57]
    3. Adagio e dolcemente [10:22]
    4. Alla Marcia vivace[4:53]

    Jason Eckardt: Strömkarl [12:51]

    Miranda Cuckson, violin
    Blair McMillen, piano

    Produced by Gene Gaudette
    Engineered and edited by Ryan Streber, Oktaven Audio

    CD Edition: Urlicht AudioVisual UAV-5989
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    * mp3-MAX uses mEyeFi Media’s cutting-edge variable bitrate .mp3 encoding, optimized for maximum fidelity and transparency

    Available in Europe and Asia in May 2013

  • Miranda Cuckson and Blair McMillen Play Music of Carter, Sessions, and Eckardt

    Urlicht’s newest release is a tour-de-force of modern American masterpieces for violin-piano duo and solo violin, including the  world premiere release  of Jason Eckardt‘s daunting “Strömkarl” for violin and piano – commissioned for this release – played by two of today’s most in-demand champions of new music, violinist Miranda Cuckson and pianist Blair McMillen.

    Of “Strömkarl”, Miranda says:

    Jason Eckardt is an artist whose music impresses with its combination of intellectual thoroughness, vigorous physicality and spontaneous volatility. His enthusiasm for complexities and his sincere assimilation of a variety of musical genres have given his music an individual and distinctly American cast. Collaborating with him and with Blair McMillen on his piece Strömkarl was a memorable experience, and I am delighted to add it to this strong chain, linking works of the past few decades to those of the present.

    The recording includes Elliott Carter‘s Duo for violin and piano, and Roger SessionsSonata for violin solo.


    Elliott Carter: Duo for violin and piano (1973) [21:56]
    Roger Sessions: Sonata for solo violin (1953)
    1. Tempo moderato, con ampiezza, e liberamente [10:53]
    2. Molto vivo [6:57]
    3. Adagio e dolcemente [10:22]
    4. Alla Marcia vivace[4:53]

    Jason Eckardt: Strömkarl [12:51]

    Miranda Cuckson, violin
    Blair McMillen, piano

    Produced by Gene Gaudette
    Engineered and edited by Ryan Streber, Oktaven Audio

    CD Edition: Urlicht AudioVisual UAV-5989

    CD release date: March 4, 2014
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    * mp3-MAX uses mEyeFi Media’s cutting-edge variable bitrate .mp3 encoding, optimized for maximum fidelity and transparency

    Available in Europe and Asia in May 2013

  • CRQ: “Fascinating and Most Valuable”

    mahlerscanposterized2400Classic Recording Quarterly‘s Alan Sanders devotes nearly two pages to a detailed review of the recordings in “The Music of Gustav Mahler: Issued 78s” in the magazine’s Winter 2014 edition, and he likes what he hears!

     “[Ward] Marston has been at work [transferring Oskar Fried’s acoustic recording of Mahler’s Symphony No. 2] again, and he has produced a notably clearer and fuller sound than before. …

    “I have compared the [Bruno Walter transfers with those on EMI/Warner’s recent Walter collection (6 79026-2)… the new Symphony No. 9 has a little more warmth and presence. …

    “There is also a Das Lied potpourri and an arrangement of a Wunderhorn song played by the Dol Dauber Salonorchester. Both are strangely convincing. One disc that needs to be mentioned is of the “Urlicht” from the Second Symphony, coupled with one of the Rückert Lieder, sung by the contralto Sara Charles Cahier. She was a member of the Vienna Hofoper between 1907 and 1911, and performed under Mahler’s baton shortly before he lef his post as music director. She also sang in the first performance of Das Lied von der Erde. At the time of the 1930 recording she was 60, but she still sings affectingly. …

    “A fascinating and most valuable set, and it is supported by a very informative 50-page English language essay.”

    Now available in the US and most European and Asian territories.

    • The most comprehensive collection ever assembled of Mahler’s music as issued on 78s between 1903 and 1940 — every such recording listed in Péter Fülöp’s Mahler Discography
    • New transfers by Ward Marston and Mark Obert-Thorn
    • Detailed notes on the music, the recording artists, and revelatory information about performances of Mahler’s music prior to World War II by Sybille Werner
    • Full texts and translations
    • Super-value price

    No longer available, limited to an edition of 1000 copies
    (more…)

  • Gramophone Praises Urlicht’s “Epic” Mahler Box

    In the January 2014 edition of Gramophone, Rob Cowan’s influential Replay column praises “The Music of Gustav Mahler: Issued 78s, 1903-1940” as one of the month’s best reissues:

    UAV-5980.cover.600px2Epic Mahler Box-set[]… Excellent transfers and exhaustive notes complete a valuable issue.”

    Now available in the US and most European and Asian territories.

    • The most comprehensive collection ever assembled of Mahler’s music as issued on 78s between 1903 and 1940 — every such recording listed in Péter Fülöp’s Mahler Discography
    • New transfers by Ward Marston and Mark Obert-Thorn
    • Detailed notes on the music, the recording artists, and revelatory information about performances of Mahler’s music prior to World War II by Sybille Werner
    • Full texts and translations
    • Super-value price

    No longer available, limited to an edition of 1000 copies


    (more…)

  • “One of the most important Mahler issues in recent decades”

    “Many Mahler enthusiasts and specialists will doubtless possess a number of the recordings in this boxed set from earlier transfers on different labels, and so it may appear that the acquisition of this release will seem like unnecessary duplication. Nonetheless, I strongly urge them to investigate the contents as there may well be important first recordings of Mahler’s music which they do not have, and the quality of the transfers is in many ways easily the best in terms of releasing from those old 78rpm grooves more musical detail and the removal of a great deal of the inherent surface noise. In addition, the booklet accompanying this release is particularly informative, going way beyond the normal notes in imparting important information regarding the performance of Mahler’s music in the inter-war period particularly, information which is not readily available elsewhere. This collection of every known commercially issued Mahler recording from 1903-40 is one of the most important Mahler issues in recent decades and is very strongly recommended indeed.” — Robert Matthew-Walker, International Record Review, Dec. 2013

    “THE Mahler historical set to have: sensational restorations, superb annotations … If you have anything more than a passing interest in Mahler and want to hear the music ‘fresh’ from some of the composers’ most ardent early champions, skip the competition and snatch up this set — premium quality at an insanely low price.” — Steve Nash, amazon.co.uk

     

    • UAV-5980.cover.600px2The most comprehensive collection ever assembled of Mahler’s music as issued on 78s between 1903 and 1940 — every such recording listed in Péter Fülöp’s Mahler Discography
    • New transfers by Ward Marston and Mark Obert-Thorn
    • Detailed notes on the music, the recording artists, and revelatory information about performances of Mahler’s music prior to World War II by Sybille Werner
    • Full texts and translations
    • Super-value price

    Produced by Gene Gaudette

    Urlicht AudioVisual UAV-5980 (8 CDs)

    No longer available; limited to an edition of 1000 copies


    (more…)

  • The Music of Gustav Mahler – Issued 78s, 1903-1940

    The Music of Gustav Mahler – Issued 78s, 1903-1940

    This collection of every known commercially issued Mahler recording from 1903-40 is one of the most important Mahler issues in recent decades and is very strongly recommended indeed.” — Robert Matthew-Walker, International Record Review, Dec. 2013

    Epic… Excellent transfers and exhaustive notes.
    Gramophone

    This impressive collection of early — very early — Mahler recordings includes symphonies led by the likes of Bruno Walter, Dimitri Mitropoulos, Eugene Ormandy and Willem Mengelberg, often in interpretations more willful and changeable than we are used to today.
    – Zachary Woolfe, “2014 Holiday Gift Guide: Best Music,” The New York Times

    • The most comprehensive collection ever assembled of Mahler’s music as issued on 78s between 1903 and 1940 — every such recording listed in Péter Fülöp’s Mahler Discography
    • New transfers by Ward Marston and Mark Obert-Thorn
    • Detailed notes on the music, the recording artists, and revelatory information about performances of Mahler’s music prior to World War II by Sybille Werner
    • Full texts and translations
    • Super-value price

    Produced by Gene Gaudette
    Special thanks to Henry-Louis de La Grange

    CD Edition: Urlicht AudioVisual UAV-5980
    No longer available, limited to an edition of 1000 copies


    (more…)

  • Amanda Maier Meets Johannes Brahms

    Amanda Maier was greatly admired by Johannes Brahms for both her virtuoso artistry as a violinist and her ambitious, challenging compositions, including her own Violin Sonata. Brahms gave Maier an early edition of his own Third Violin Sonata — and made numerous revisions before publication based on Maier’s advice.

    Amanda Maier Meets Johannes Brahms brings together their mutually infuential violin sonatas along with Brahms’ Trio for Violin, Horn and PianoElmira Darvarova, the frst female concertmaster of the Metropolitan Opera Orchestra, is joined by rising Canadian piano star Bryan Wagorn and, in Brahms’ Horn Trio, New York Philharmonic principal horn Philip Myers in a rare solo appearance.

    This release contains the only recording of the Maier Sonata currently availableThe download edition also includes a bonus work not available on CD: Clara Schumann’s 3 Romanzen for piano and violin, Op. 22!

    Amanda Maier Meets Johannes Brahms

    1. BrahmsHorn Trio in E-flat Major, Op. 40
    2. MaierViolin Sonata in b minor
    3. BrahmsViolin Sonata No. 3 in d minor, Op. 108

    Elmira Darvarova, violin • Philip Myers, horn • Bryan Wagorn, piano

    Recorded January 6 & 7, 2013 at Bristol Hall, Westminster Choir College, Princeton, NJ
    Engineered by John C. Baker
    Produced by Gene Gaudette

    Urlicht AudioVisual UAV-5994

    CD release date: October 1, 2013

  • Amanda Maier Meets Johannes Brahms (Extended Edition)

    UAV5994.cover.273Amanda Maier was greatly admired by Johannes Brahms for both her virtuoso artistry as a violinist and her ambitious, challenging compositions, including her own Violin Sonata. Brahms gave Maier an early edition of his own Third Violin Sonata — and made numerous revisions before publication based on Maier’s advice.

    Amanda Maier Meets Johannes Brahms brings together their mutually infuential violin sonatas along with Brahms’ Trio for Violin, Horn and Piano. Elmira Darvarova, the frst female concertmaster of the Metropolitan Opera Orchestra, is joined by rising Canadian piano star Bryan Wagorn and, in Brahms’ Horn Trio, New York Philharmonic principal hornPhilip Myers in a rare solo appearance.

    This release contains the only recording of the Maier Sonata currently available. The download edition also includes a bonus work not available on CD: Clara Schumann’s 3 Romanzen for piano and violin, Op. 22!

    Amanda Maier Meets Johannes Brahms

    1. Brahms: Horn Trio in E-flat Major, Op. 40
    2. Maier: Violin Sonata in b minor
    3. Brahms: Violin Sonata No. 3 in d minor, Op. 108
    4. Bonus tracks in the download edition ONLY — Clara Schumann: 3 Romanzen for piano and violin, Op. 22

    Elmira Darvarova, violin • Philip Myers, horn • Bryan Wagorn, piano

    Recorded January 6 & 7, 2013 at Bristol Hall, Westminster Choir College, Princeton, NJ
    Engineered by John C. Baker
    Produced by Gene Gaudette

    Urlicht AudioVisual UAV-5984

    HD download release date: October 15, 2013

    Buy the CD Edition here .

    Also available in download formats:

    • Download editions are delivered in .zip format and contain all music files with
      • full metadata,
      • complete liner notes in .pdf format,
      • and .cue sheets and mini-covers for portable players!
    • FLAC is for audiophile portables and home theater systems and requires a FLAC-compatible player
    • iTunes users: download the mp3 to your iTunes directory, unzip, and enjoy!
    • We accept PayPal for download sales. Downloads are delivered by the secure Payloadz service; after purchase, you will receive an e-mail with a direct download link.

    Download the High Definition FLAC edition here — $10.99

    Download the CD quality FLAC edition here — $9.99

    Download the mp3 (VBR 48kHz maximum quality) edition here — $8.99